Disclaimer: This
review is incredibly blasé about a very real and fraught time in history, but I
drank quite a lot of beer last night and lost at 3 separate board games, so I
apologise for any apparent apathy.
I recently went to see The Revenant, a decision mainly
fuelled by Oscar hype and various people who I trust telling me it was amazing.
This is going to be a hard review to write, because I’m still pretty conflicted
re: how I feel about this film. I also feel it should probably be retitled as “Leo
DiCaprio’s Worst Week Ever” but that’s just like, uh, my opinion, man.
The film is set in 1820s during the colonisation of America.
There are some French dudes and some English dudes and some Native Americans,
and basically it’s all kicking off. DiCaprio’s character (Hugh Glass) is a frontiersman
on a fur trading expedition, whose companions include Bill Weasley, Charles
Bronson and that little ginger kid from Narnia who can’t get enough of that
sweet, sweet Turkish Delight (obviously, they’re playing frontiersmen in this
but…seriously, they should make that film. I’d watch it).
After their company
is fatally ambushed by a tribe of Native Americans, a much diminished group set
out through the wilderness to return home. Glass is the most valued member of the group,
given his extensive knowledge of the area and his hunting/survival skills.
Unfortunately, he gets in a punch up with a majorly pissed off bear and is
eventually more or less left for dead by his companions. Incredibly, he
survives, and drags his rotting body through the snows to seek his revenge.
I really need to talk about this bear. I’ve always quite
liked bears. They’re pretty cool, they’re fluffy, some of them wear t-shirts
and no pants and eat honey, and some of them wear raincoats and wellies and sit
around in train stations noshing on marmalade. You may be able to tell from the
above statements that my actual bear-knowledge is fairly limited.
So in the
film, there are all these cute little bear cubs running around, and Glass goes
to shoot one of them, but mumma-bear is like
“Fuck no Leo, jog on,”
and absolutely goes to town on him.
This part was incredible, but absolutely excruciating. I’ve never quite fully
appreciated the meaning of the word “mauled”. Watching this scene, you can
almost feel your own bones cracking
and shattering. You taste blood in your mouth as her claws rake through him,
again, and again. As her teeth crunch into his back, you can’t help but feel a heavy
shudder rock down your spine. Basically, it’s an absolute ordeal.
And, ordeal is the word I would most apply to this film. Glass
goes through so much. It almost gets ridiculous at times, with the lengths he
has to go to and the trials he has to endure. I’ve heard a few people couldn’t
help but laugh at certain points of this film – was it when he hurled himself
over a cliff? Perhaps when he decided to plummet down some rapids? Or was it
when he climbed naked into the steaming carcass of a horse? It’s the sheer
extremity of what he has to do to survive that I think made a few people laugh,
and I’m sure it was more through incredulity than anything else. I get it.
DiCaprio is incredible in this
film. You go through everything with him. He is such an accomplished actor, but
I always forget about the amazing physicality he brings to his roles. Let’s be honest, he should have got an Oscar
way back for his incredible portrayal of a mentally disabled boy in What’s
Eating Gilbert Grape with Johnny Depp. I really hope this is his year.
However, as I said to one of my buds yesterday, I would never
watch this film again. It is undoubtedly one of DiCaprio’s best performances,
but I don’t feel it’s one of the best films I’ve ever seen. It was engaging, it
was beautiful, and it was heart-wrenching. But you essentially suffer through
it. When you watch it, you are putting yourself through something. I would not
want to “undergo” this film again. And it is absolutely not going to be
everybody’s bag. I came out feeling exhausted.
I would recommend this film to people who
appreciate beautiful and innovative film making. People who love
cinematography. People who appreciate incredible landscapes. People who don’t
label films as “depressing”, because that label is truly dumb as fuck. And if
you’ve ever come out of a film and the first thing you’ve said is “well, that
was a bit long!” this film probably isn’t for you, either.
Don’t take your nan; go on your own (and maybe bring a teddy,
so you can remind yourself that not all bears want to tombstone you).